14 (ill.), 16–20, 129, as Hommage à Pablo Picasso, 1912. 63), 1933. Gris depicted Picasso as a painter, palette in hand. 20 (cat. 8, ill.), 76 (ill.), as Portrait de Picasso/Hommage à Pablo Picasso, 1912. New York, Museum of Modern Art, Cubism and Abstract Art, March 2–April 19, 1936, pp. no. 225; traveled to New York, Metropolitan Museum of Art, April 7–June 7, 1971. Hoffman, Edith, “Juan Gris at the Orangerie,” Burlington Magazine 141, 855 (June 1974), p. 357. Pablo Picasso. (pl. Portrait de Pablo Picasso. Galerie Louise Leiris, Paris, by February 1948 [Basel 1948]; sold to Buchholz Gallery, New York, by May 1949 [New York 1949; letter from Kahnweiler of December 2, 1975 in curatorial file]. Si l’on a he l’œil droit, le portrait est un profil normal. Roskill, Mark, The Interpretation of Cubism (Philadelphia: Art Alliance Press, 1985), p. 64 (no. cat. Apollinaire, Guillaume, I Pittori Cubisti, trans. cat. 86 (fig. Basel, Kunsthalle, Juan Gris, Georges Braque, Pablo Picasso, February 26–March 24, 1948, cat. 43, ill.), as Portrait of Picasso, 1911-12. Cette même année, Pablo Picasso réalise un de ses portraits les plus emblématiques : le Portrait de Dora Maar, icône de la collection du Musée National Picasso Paris Cette œuvre est réalisée dans l’atelier des Grands-Augustins, où a été créé Guernica. Portrait de Pablo Picasso au XXIe siècle (Parmi une série de portraits de génies: Homère, Dali, Freud, Christophe Colomb, Guillaume Tell, etc.) Cottington, David, Cubism (Cambridge: Cambridge University Press, 1998), pp. Sidney Janis Gallery, Ten Years of Janis, exh. 5.1, ill.), 149, as Homage to Pablo Picasso, 1912. Log in. Boston, Institute of Contemporary Art, The Image Lost and Found, May 14–August 28, 1960, p. 48, cat. Cabanne, Pierre, Cubism (Paris: Pierre Terrail, 2001), pp. cat. 18, 20, 28, and 117 (ill.); traveled to the Minneapolis Institute of Arts, June 24–July 24, 1958; San Francisco Museum of Art, August 11–September 14, 1958; and Los Angeles County Museum, September 29–October 26, 1958. 97, ill.). Parinaud, Andre, “Les Independants, la critique et la presse: L’affirmation de la modernité, 1884-1914,” in Un siècle d’art moderne: L’Histoire du Salon des Independants, 1884-1984 (Paris: Éditions Denoël, 1984), p. 105, as Hommage à Picasso. 72 (ill.), 73, as Portrait of Pablo Picasso, 1912. “Orangerie des Tuileries Exposition: Juan Gris,” Pantheon 32, 3 (July/August/September 1974), p. 318 (ill.), as Portrait de Picasso ou Hommage à Picasso, 1912. (Dresden: Internationale Kunstausstellung, 1926), p. 66 (cat. Penrose, Roland, Portrait of Picasso (London: Lund Humphries, 1956), p. 39 (fig. Habasque, Guy, Le cubisme, (Geneva: Skira, 1959), pp. En 2016, un collage de Picasso de 1914 est acquis par le musée de Grenoble pour la somme de 750 000 euros [98]. 13, 24, 25 (fig. To help improve this record, please email . Art Institute, Paintings in The Art Institute of Chicago (Chicago: Art Institute, 1961), p. 207, as Portrait of Picasso, 1912. Institute of Contemporary Art, The Image Lost and Found, exh. 16 (ill.), 17 (detail), 63, as Retrato de Pablo Picasso, 1912. “Modern Museum Opens Show Despite Ignorance of U. S. Martinets,” Art Digest 10, 12 (March 15, 1936), p. 10 (ill.), as Portait of Picasso (Hommage à Picasso), 1912. 16, 2014, no cat. Huile sur toile. 13), 27 (ill.), as Hommage à Picasso (Portrait of Pablo Picasso), January-February 1912. Bréon, Emmanuel, Juan Gris à Boulogne (Paris: Herscher, 1992), p. 17 (ill.), as Hommage à Picasso, 1912. Portrait de PABLO PICASSO (2019) Signaler Type d'œuvre Oeuvre unique Dimensions 39,4x27,6 in Techniques Huile Support ou surface Toile Encadrement Non Peinture originale à l'huile sur toile ayant eu pour modèle une photographie N&B prise par Arnold Newman à Vallauris en 1954. (pl. by Franca Minoia (Milan: Il Balcone, 1945), p. 141 (ill.), as Omaggio a Picasso, 1911. 0,184/0,119 cm. Speyer, A. James “Twentieth-Century European Painting and Sculpture,” Apollo 84 (September 1966), p. 222, as Portrait of Picasso, 1912. Silver, Kenneth, “Eminence Gris,” Art in America (May 1984), p. 154 (ill.), as Portrait of Picasso, 1912. Infos tableau. Pablo Picasso (Spain 1881-1973), Portrait de Dora Maar. Pablo Picasso, 1881-1973 Portrait de jeune Fille, d'après Cranach le Jeune. 196 (fig. 81 (pl. 15, 164, 172, 299, 305, 313, pl. 30i. (Freiburg: Städtische Museen, Museum für Neue Kunst, 1992), p. 46 (ill.). 123, ill.), 197, as Retrato de Picasso, 1912. The portrait depicts the duality in the relations of Modigliani and Picasso who shared both an artistic rivalry and a mutual admiration. Kahnweiler, Daniel-Henry, Juan Gris: sa vie, son œuvre, ses écrits (Paris: Gallimard, 1946), pp. (Marseille: Musée Cantini, 1998), pp. (15 1/8 x 11¾ in.) New York, Saidenberg Gallery, Hommage à Kahnweiler, May 13–June 8, 1957, no. cat. Le portrait de Marie-Thérèse Walter intitulé Femme au béret et à la robe quadrillée, peint par Picasso en 1937, est vendu aux enchères à Londres chez Sotheby's le 28 février 2018 pour un montant de 69,4 millions de dollars [99]. 3, ill.), as Portrait of Picasso, 1912. (Paris: Galerie Georges Petit, 1930), n.p. 41), as Portrait de Pablo Picasso, 1912. 7 (ill.); traveled Cologne, Wallraf-Richartz Museum, December 28, 1965–February 13, 1966, as 1911/12. 9, 63–65, n.p. 48 (pl. Duval, Jean-Luc, Journal de l’art moderne, 1884–1914 (Geneva: Skira, 1973), p. 248 (ill.), as Hommage à Picasso, 1912. cat. C 13). (fig. The artist knew that she had a difficult task, explains curator Jay A. Clarke, but never flinched from her convictions. 378), as Bildnis Pablo Picasso. cat. Warnod, Jeanine, Washboat Days, trans. Rubin, William, Picasso and Braque: Pioneering Cubism, exh. (Madrid: Museo Nacional Centro de Arte Reina Sofía. (fig. (Paris: Galerie Simon, 1928), n.p. 85 (ill.), as Homage to Pablo Picasso. Frascina, Francis, Cubism: Picasso and Braque (Great Britain: The Open University, 1983), pp. 11, 21, and 76, cat. Musée national Picasso, Paris. Zurich, Kunsthaus Zurich, Juan Gris, April 2–26, 1933, p. 5, cat. Medidas 140 x 140 cm. Pablo Picasso a portraituré Djamila Boupacha, il y a 54 ans Il y a 43 ans disparaissait Pablo Picasso. Galerie Simon, Exposition Rétrospective Juan Gris (1887-1927), exh. 32, ill.) as Portrait of Picasso, 1911-12. (Baden-Baden: Kunsthalle, 1974), pp. Il s’appelait Pablo Picasso. 8 (ill.). 198, 199 (ill.), 341, as Hommage à Pablo Picasso, 1912. $35,000. Golding, John, Cubism: A History and an Analysis, 1907–1914 (New York: George Wittenborn, 1959), pp. 55,3/46,3 cm. (Madrid: Museo Nacional del Prado, 2004), pp. (Baden-Baden: Woldemar Klein, 1948), pp. Wood, James N., Treasures of 19th-and 20th-Century Painting: The Art Institute of Chicago (New York: Abbeville Press, 1993), p. 208 (ill.), as Portrait of Pablo Picasso, 1912. 9 (ill.), as 1911-12. 4), as Portrait de Picasso, 1912. (Paris: Paris Musées, 2000), pp. 22, ill.), 92, as Omaggio a Pablo Picasso, 1912. 67, ill.), 342, as Hommage à Picasso, 1912. Schmidt, Georg, Juan Gris und die Geschichte des Kubismus (Baden-Baden: Woldemar Klein, 1957), p. 18, as Bildnis Picasso, 1912. Learn more. Freiburg im Breisgau, Friedrichsbau, Die Meister Französischer Malerei der Gegenwart, October 20–November 23, 1947, p. 48, cat. 10, 11 (ill.), as Portrait of Picasso. Mosele, Franz, Die kubistische Bildsprache von Georges Braque, Pablo Picasso und Juan Gris unter besonderer Berücksichtigung der Entwicklung der Farbe (Ph.d. Dissertation, University of Zurich, 1973), pp. cat. (Basel: Kunsthalle, 1948), p. 13 (cat. 41 (fig. 10, ill.), 302, as Homage to Pablo Picasso, 1912. Galería Theo, Juan Gris, exh. C'est alors l'une des premières peintures cubistes réalisées par un autre peintre que Pablo Picasso ou Georges Braque. Reed, Judith Kaye, “Cubism Reviewed,” Art Digest 23, 14 (April 15, 1949), p. 16 (ill.), as Homage to Picasso. cat. 2A7), 45, as Portrait of Picasso, 1912. Wood, James N. and Teri J. Edelstein, Sally Ruth May, The Art Institute of Chicago: The Essential Guide (Chicago: Art Institute, 1993), p. 249 (ill.), as Portrait of Pablo Picasso, 1912. Cooper, Philip, Cubism (London: Phaidon, 1995), pp. Portrait de Pablo Picasso est une peinture à l'huile sur toile. (cat. Portrait de Marie- Thérèse, Pablo Picasso Epoque : XXe Domaine artistique : Arts visuels (peinture) Mouvement : Cubisme Genre : Portrait Dans ce portrait, le visage est représenté à la fois de face, de 3/ 4 et de profil. 15, ill.), as Portrait de Picasso, 1912. 94), as Portait of Picasso (Hommage à Picasso), 1912. Fecha de creación octobre 1934 - octobre 1948. cat. 21, 96, 97, 99, n.p. (cat. Nous travaillerons sur Dora Maar 1934. Sidney Janis Gallery, Cubism 1910-1912, exh. 198–199 and 341 (ill.), as Hommage à Pablo Picasso. Courthion, Pierre “Juan Gris, le logicien du cubisme,” XXe siecle 36, 43 (December 1974), p. 38, as Hommage à Picasso. It is now housed in the Pushkin Museum in Moscow. 49), 32 (ill.), 78, 81, 240, as Retrato de Picasso, 1912. Musée Cantini, Juan Gris: Peintures et dessins 1887–1927, exh. Albright-Knox Art Gallery, Painters of the Section d’Or: the Alternatives to Cubism, exh. Zervos, Christian, Histoire de l’Art Contemporain (Paris: Cahiers d’Art, 1938), p. 236 (ill.), as Hommage à Picasso, 1912. (New York: Museum of Modern Art, 1958), pp. 33. Nishimura, Toshio (ed. cat. 2), 87 (ill.), as Omaggio a Picasso, 1912. Signed and inscribed, l.r. John Szoke. 13, 24, 25, 27, and 45, cat. 2019 - Découvrez le tableau "Portrait picasso" de thomas.nrmd sur Pinterest. Derouet, Christian, Juan Gris: Cartas, Dibujos 1915–1921, exh. Pinterest Portrait de Pablo Picasso (ou parfois Hommage à Pablo Picasso) est une peinture de l'artiste espagnol Juan Gris, réalisée en 1912. Etienne Bignou (1891-1950), Paris and Bignou Gallery, New York, by April 1933 (possibly as early as June 1930 to at least April 1946) [Zurich 1933 and Paris 1930; letters to Bignou from Alex Reid and Lefevre March 22 and April 18, 1946]. Fels, Florent, L’art vivant de 1900 à nos jours (Geneva: Pierre Cailler, 1950), p. 235 (ill.), as Portrait de Picasso. 29, 42, 48 (fig. 9, 64 (ill.), 66, as Homage à Picasso. R. Allard, La Revue de France (March 1912), p. 72. Paris, Galerie Georges Petit, Cent ans de Peinture Française, June 15–30, 1930, n.p., cat. 31(no. Einstein, Carl, Die Kunst des 20 Jahrhunderts (Berlin: Im Propyläen, 1926), pp. 103. Dresden, Internationale Kunstausstellung, June–September 1926, cat. Burlington Magazine 143, 885 (December 1976), p. 878 (fig. 3, ill.), as Retrato de Picasso. (ill.), as Portrait de Picasso, 1912. Apollinaire, Guillaume, “Les Salon des Indépendants,” L’Intransigeant (March 25, 1912), as Hommage à Picasso. (New York: Buchholz Gallery, 1949), n.p. Cunningham, Charles C. and John Maxon, Anselmo Carini, Instituto de arte de Chicago, El mundo de los museos (Buenos Aires: Éditorial Codex, S.A., 1967), pp. (Madrid: Galería Theo, 1977), n.p. Huile sur toile 100 x 81 cm 1901 Musée national Picasso, Paris Période bleue. Juan Gris peint le portrait en 1912. Salazar, María José, Juan Gris 1887–1927, exh. (cat. D’Alessamdro, Stephanie, Matisse: Radical Invention 1913-1917, exh. 2001), p. 91, 104 (ill.), 106 (ill.), as Homenaje a Picasso. 94, fig. Portrait de Gertrude Stein – Pablo Picasso Représentant la célèbre écrivaine américaine Gertrude Stein, Picasso était sur le chemin de la prochaine nouvelle période de son travail et de toute la direction de la peinture. 33 (ill.), as from “M. (pl. (Paris: Orangerie des Tuileries, 1974), pp. Barr, Alfred H., Jr. et al., Cubism and Abstract Art, exh. [5], "Amedeo Modigliani Artworks & Famous Paintings", "Portrait of Pablo Picasso by Amedeo Modigliani", "The History of Amedeo Modigliani's Portraits DailyArt Magazine", Femme au béret et à la robe quadrillée (Marie-Thérèse Walter), Picasso. 5. (Valencia: IVAM Centre Julio González, 1990), p. 19, as Hommage à Picasso. 9 (ill.). Information about image downloads and licensing is available here. Clark, Eliot, “New York Commentary,” Studio 156, 787 (October 1958), p. 122, as Portrait of Picasso, 1912. Here he fractured his sitter’s head, neck, and torso into various planes and simple, geometric shapes but organized them within a regulated, compositional structure of diagonals. 378. London, Alex Reid and Lefevre, L’Ecole de Paris, November 1938, cat. ), Braque et le cubisme (Tokyo: Chuokoron-Sha, 1973), n.p. Fosca, François, Bilan du cubisme (Paris: Bibliothèque des arts, 1956), p. 40, as Portrait de Picasso, 1912. 56 (no. 48, 56 (cat. (New York: Museum of Modern Art, 1942), p. 50 (ill.), as Pablo Picasso, 1912. Cooper, Douglas, Juan Gris : catalogue raisonné de l’œuvre peint (Paris: Berggruen, 1977), pp. Cabanne, Pierre, Le siècle de Picasso, vol. Wood, James N. and Katharine C. Lee, Master Paintings in The Art Institute of Chicago (Chicago: Art Institute, 1988), p. 117 (ill.), as Portrait of Picasso, 1912. Paris, Musée d’Art Moderne de la Ville de Paris, L’Ecole de Paris, 1904–1929: la part de l’Autre, November 30, 2000–March 11, 2001, pp. (ill.), as Hommage à Picasso, 1911. cat. In the heart of darkness (1939-1945), If I Told Him: A Completed Portrait of Picasso, Woman, Bird, Star (Homage to Pablo Picasso), https://en.wikipedia.org/w/index.php?title=Portrait_of_Pablo_Picasso&oldid=1012316761, Short description is different from Wikidata, Creative Commons Attribution-ShareAlike License, This page was last edited on 15 March 2021, at 18:46. Galerie Georges Petit, Cent ans de peinture française, exh. Kahnweiler, David-Henry, Juan Gris (Milan: Fratelli Fabbri, 1967), n.p. Rappel de la lecture du portrait chez Picasso. (fig. 7 (ill.), as Hommage à Pablo Picasso, 1911. Green, Christopher and Christian Derouet, Karin von Maur, Juan Gris, exh. Cox, Neil, Cubism (London: Phaidon, 2000), pp. 33), xx (ill.), as Portait Picasso/Hommage à Pablo Picasso/Portrait de Picasso, 1912. Jardot, Maurice and Kurt Martin, Die Meister Französischer Malerei der Gegenwart, exh. Head of a Woman - by Pablo Picasso. Portrait de Pablo Picasso est une peinture à l'huile sur toile. V.90, ill.), 83, as Hommage à Pablo Picasso, 1912. 47, as “Collection Etienne Bignou Gallery.”. Historique. II, 1958. Bern, Kunsthalle, Georges Braque, Juan Gris, Pablo Picasso, April 2–29, 1948, cat. Musée de Saint-Tropez, Les chemins du cubisme, exh. Wheeler, Monroe, 20th century Portraits, exh. Der Querschnitt 8, 7 (July 1928), p. 506 (ill.). L'enfant au pigeon; Portrait du Père Manyac; Pierreuse, la main sur l'épaule; Portrait de Jaime Sabartés (Le bock) Portrait de Mateu Fernández de Soto; Les deux saltimbanques (Arlequin et sa compagne) Arlequin accoudé; La diseuse; Portrait de … cat. cat. Kondo, Y. and H. Miyajima, The Book of Great Masters, vol. 5), as Portrait de Pablo Picasso, 1912. Arnason, H. H., History of Modern Art: Painting, Sculpture, Architecture (New York: Harry N. Abrams, 1968), pp. 41, as Hommage à Picasso. Skip to Main Content. In the autumn of 1905, on his return to Paris from Gosol, Picasso at last succeeded in completing his adamantine Portrait of Gertrude Stein, which he had begun … 6, ill.), 36, as Portrait of Picasso. 1426, as Figure. Rosenberg, Charles M., “Cubist Object Treatment: A Perceptual Analysis,” Artforum 9, 8 (April 1971), pp. cat. (cat. Pablo Picasso est sans conteste l’un des artistes les plus fascinants et les plus intrigants du XXème siècle. Mock, Jean Yves, “Notes from Paris and London: Juan Gris, A Retrospective Exhibition, at the Marlborough Gallery,” Apollo 67, 397 (March 1958), p. 88. 112, 113 (fig. New York, Buchholz Gallery, Cubism, April 5–30, 1949, cat. Il s'agit d'un portrait du peintre Pablo Picasso assis. “Juan Gris,” Cahiers d’Art 5–6 (1933), n.p. 7, ill.), as Hommage à Pablo Picasso, 1911. Adrichem, Jan van, De ontvangst van de moderne kunst in Nederland 1910-2000: Picasso als pars pro toto (Amsterdam: Prometheus, 2001), p. 188 (ill.), as Portret van Picasso, 1912. (fig. 306, 320, and 379–380, cat. Richardson, John, A Life of Picasso, vol. Fort Worth, Kimbell Art Museum, The Age of Picasso and Matisse: Modern Masters from the Art Institute of Chicago, Oct. 6, 2013–Feb. [1], The portrait depicts the duality in the relations of Modigliani and Picasso who shared both an artistic rivalry and a mutual admiration. Zienderogen kunst voor de basisvorming (Malmberg den Bosch: Onderbouwdeel VBO/MAVO, 1993), p. 62 (fig. 47), as Portait of Picasso. (London: Alex Reid and Lefevre, 1938), n.p. Gray, Christopher, Cubist Aesthetic Theories (Baltimore: Johns Hopkins Press, 1953), p. 97, as Portrait of Picasso, 1911. 21, ill.), as Hommage à Picasso, 1912. Robertson, Bruce, Twentieth-Century American Art: The Ebsworth Collection, exh. Science and Charity - by Pablo Picasso. 14, 15 (fig. (Milan: Mazzotta, 1991), p. 58 (ill.), as Hommage à Pablo Picasso, 1911-1912. Voir plus d'idées sur le thème pablo picasso, art picasso, picasso. Pablo Ruiz Picasso, né à Malaga (Espagne) le 25 octobre 1881 et mort le 8 avril 1973 à Mougins (Alpes-Maritimes, France), est un The uneven two-toned face of the subject suggests an inner conflict within the artist, as well as between artist and subject. Puis les différents portraits. [4], In the 1930s, the Portrait of Pablo Picasso by Modigliani was owned by Pablo Picasso, as well as some other Modigliani's work, including Girl with Brown Hair, dating from 1918. Pablo Picasso née en 1881 et mort en 1973 été en train de révolutionner l'art quand il peint ce tableau : portrait d'Ambroise Vollard en cubiste en 1910. 3/ PABLO PICASSO, Portrait de Dora Maar, 1937. cat. 9), as Portrait von Picasso (Hommage à Picasso), 1911/12. Just six years later, Gris too was known as a Cubist and identified by at least one critic as “Picasso’s disciple.” Gris’s style draws upon Analytic Cubism—with its deconstruction and simultaneous viewpoint of objects—but is distinguished by a more systematic geometry and crystalline structure. Keller, Horst, “Sieg der Malerei über die Welt: Juan Gris,” Köln 4:65 (December 1965), n.p. The inscription, “Hommage à Pablo Picasso,” at the bottom right of the painting demonstrates Gris’s respect for Picasso as a leader of the artistic circles of Paris and as an innovator of Cubism. cat. 22 avr. (Washington D.C.: National Gallery of Art, 2000), p. 87 (fig. O’Brian, Patrick, Pablo Ruiz Picasso (New York: G. P. Putnam’s Sons, 1976), p. 196, as Hommage à Picasso. Kunsthalle Basel, Juan Gris, Georges Braque, Pablo Picasso, exh. Huile sur toile 130,8 x 162,6 cm 1931 Solomon R. Guggenheim Museum, New York, USA 108, pl. Sell. (New York: Sidney Janis Gallery, 1958), n.p. Cogniat, Raymond, Les Créateurs du Cubisme, exh. 8, ill.), 29, as Omaggio a Pablo Picasso, 1912. Ferreira, Paulo, Amadeo de Souza Cardoso: Peintre Portugais, 1887–1918 (Lisbon: Fundação Calouste Gulbenkian, 1995), p. 83, as Hommage à Picasso. Portrait of Pablo Picasso is an oil on paper mounted on card painting by Italian artist Amedeo Modigliani created in 1915. Pablo Picasso, Jacqueline de profil (Buste de femme au corsage blanc),1958 Pablo Picasso, 1881-1973 cat. Wertenbaker, Lael, The World of Picasso (New York: Time Life Books, 1967), pp. Linoleum cut printed in ochre and yellow on thick "offset-fort" paper . Sold by Jacques Seligmann and Co., New York to Leigh Block, Chicago, June 1949 [Block Collection Card in curatorial file]; given to the Art Institute, 1958. (Ferrara: Ferrara Arte, 2004), pp. 18 (ill.), 20, 28, 117, as Portrait of Picasso, 1912. Transition 19–20 (June 1930), n.p. [3] Currently the Portrait of Pablo Picasso is in a private collection. 114, 115 (ill.), as Portrait of Picasso, 1912. 67, ill.), 320, as Portrait of Picasso, 1912. Golding, John, “Shorter Notices: Juan Gris at Berne,” Burlington Magazine 97, 633 (December 1955), p. 385, as Hommage à Picasso, 1912. Saiko, George “The Tragic Position of Abstract Art,” London Studio 5 (January 1933), pp. Immenga, Silke, Picasso und Spanien: Kulturelle Identität als Strategie (Frankfurt am Main: Peter Lang, 2000), pp. Sold, Hôtel Drouot, Paris, June 13–14, 1921, Kahnweiler sequestration sale, lot 49, to “Grassat” for Galerie Simon [letter from Kahnweiler of October 21, 1975 and December 2, 1975 in curatorial file]. // Portrait de Dora Maar de trois-quart, Paris, 1935. Rossi, Laura Mattioli, Boccioni 1912 Materia, exh. Minneapolis Institute of Arts, Bulletin of the Minneapolis Institute of Art 25, 33 (December 5, 1936), cover (ill.), as Portrait of Picasso, 1912. portrait de femme de Pablo Picasso (1881-1973, Spain) | | WahooArt.com 31, ill.), 25, 92, 94, 252, as Homage to Pablo Picasso, 1912. Exposition «Henri Rousseau» Fondation Beyeler BALE du 7 février 2010 au 9 mai 2010. Derouet, Christian, Correspondances avec Léonce Rosenberg, 1915-1927 (Paris: Centre Pompidou, 1999), p. 13, as Hommage à Picasso. 6 (ill.); traveled to Washington D. C., National Gallery of Art, October 15–December 31, 1983; and New York, Solomon R. Guggenheim Museum, May 18–July 15, 1984. McCully, Marilyn and Michael Raeburn, Il cubismo: Rivoluzione e tradizione, exh. Juan Gris et Foredrag (Copenhagen: Wivels Forlag, 1946), n.p. Portrait de Françoise – Pablo Picasso C’est l’un des portraits les plus lyriques de Françoise Gillet – une femme, en regardant les photographies dont vous comprenez qu’il y a en elle quelque chose de surnaturel qui la distingue des autres. 151, 179–181, 291 (no. 225, ill.), 201, 287, as Portrait of Picasso, 1912. (London: Whitechapel Art Gallery, 1992), pp. Shone, Richard, “Exhibition Reviews: Madrid, Biblioteca Nacional, A Gris retrospective for Spain,” Burlington Magazine 127, 992 (November 1985), p. 832, as Hommage à Pablo Picasso. (New York: Sidney Janis Gallery, 1956), n.p. Paris, Société des Artistes Indépendants, 28th Exposition, March 20–May 16, 1912, p. 145, cat. Art Institute, The Art Institute of Chicago: 100 Masterpieces (Chicago: Art Institute, 1978), p. 128 (no. Madrid, Spain, Ministry of Culture, Juan Gris [1887–1927], September 20–November 24, 1985, pp. Date 1947 Dimensions 65,5 x 56 cm Technique Huile sur toile Emplacement Théâtre-Musée Dalí Larson, Kay, “The Genius of Gris,” New York Magazine (June 11, 1984), p. xx, as Portrait of Picasso, 1912. » Présenter le portrait de Picasso et celui de Dora Maar. VI (ill.), as Portrait de Picasso, 1912. (Berlin: Galerie Alfred Flechtheim, 1930), n.p. The artist further ordered the composition of this portrait by limiting his palette to cool blue, brown, and gray tones that, in juxtaposition, appear luminous and produce a gentle undulating rhythm across the surface of the painting.Gris depicted Picasso as a painter, palette in hand. The uneven two-toned face of the subject suggests an inner conflict within the artist, as well as between artist and subject. Pablo Picasso Portrait stylise de Jacqueline (Tête de Femme) (Stylized portrait of Jacqueline (Head of a Woman)), 1962 is a vibrant linocut featuring warm golden yellows set against stark black.The work is one of many portraits Picasso created of his second wife Jacqueline Roque, one of his most infamous artistic muses. 24, 25 (cat. Dès la fin des années 1920, Dora Maar multiplie les rencontres artistiques Object information is a work in progress and may be updated as new research findings emerge. 85, ill.), 379–380, as Homage to Pablo Picasso, 1912. : "Hommage á Pablo Picasso/Juan Gris". cat. cat. Portrait of Ambroise Vollard (French: Portrait de Ambroise Vollard) is an oil-on-canvas painting by Pablo Picasso, which he painted in 1910. Félia Leal and Alfred Rosset (Geneva: Pierre Cailler, 1954), n.p. (Paris: Gazette des Beaux-Arts, 1935), n.p. Museum am Ostwall, Juan Gris, exh. Paris, Orangerie des Tuileries, Juan Gris, March 14–July 1, 1974, pp. Pablo Picasso touche à tous les courants picturaux du XXème siècle, surréalisme, expressionnisme ou néo-classicisme, 43, ill.), as Portrait de Picasso, 1912. (fig. 113), 207 (ill.), 215, 222, as Homage to Pablo Picasso, 1912. 54 (fig. (Boston: Institute of Contemporary Art, 1960), pp. New York, Sidney Janis Gallery, Cubism 1910–1912, January 3–February 4, 1956, cat. Museo Nacional de Bellas Artes, Juan Gris en Buenos Aires, exh. cat. 178 (ill.), 472 (note 41), as Hommage à Picasso/Portrait of Picasso, 1912. The Death of Casagemas - by Pablo Picasso. 26 (cat. (Bochum: Museum, 1981), n.p. Juan Gris peint le portrait en 1912. 4, ill.), as Hommage à Pablo Picasso, 1912. 205, 206 (fig. 14 (no. Self Portrait - by Pablo Picasso. cat. Editorial. Gris, Juan, “Uber die Möglichkeiten der Malerei,” trans. 33, ill.), 211 (cat. 1, ill.), as Portrait of Pablo Picasso, 1912. Artists ... Vieux Sculpteur et Jeune Modèle avec le Portrait sculpté du Modèle (S.V. 1, ill.), 157, as Retrato de Picasso, 1912. Tiberi, Jean, L’École de Paris, 1904–1929: la part de l’autre, exh. Maxon, John, The Art Institute of Chicago (New York: Harry N. Abrams, 1970), pp. 306, 320 (cat. Peppiatt, Michael, “Summer riches,” Artnews 73, 6 (Summer 1974), p. 76. Martini, Alberto, Picasso e il cubismo (Milan: Fratelli Fabbri, 1967), pp.
Ergos Intérim Guyane Inscription, Sardou Et Mourir De Plaisir 2012, La Centrale Auto Occitanie, Week-end Thalasso Paca Groupon, Randonnée Brégançon Cap Bénat, Idée Balade Côte D'azur, Ligue Des Champions 2001-2002, Chelsea Transfer Window New,