The 12‐inch LP sacrifices volume for extended playing time. [12] Subtitled 'The world's first 12 inch single! [27], The first large-format single made specifically for discotheque DJs was a ten-inch acetate used by a mix engineer (José Rodríguez) in need of a Friday-night test copy for a remix created by Tom Moulton in 1974. 1 ". Ironically, Moulton's mix of Downing would be eventually released by Chess Records for sale to the general public, but only on a standard-issue 7-inch record for sale in October 1974. [129][130] Candi Staton followed with "Young Hearts Run Free" in the middle of May from Warner Bros. APOLLONIA 6 CD Vanity, PRINCE , MOTOWN, Mazerati, SLy Fox, CD Extended versions | eBay Rare and limited edition of the self titled cult album”Apollonia”. Discover releases, reviews, credits, songs, and more about Four Tops - The Ultimate Collection at Discogs. The seven-inch edit had been released a month earlier but sales of this were slow. [102][103], Third was a disc containing two George Benson sides "Summertime 2001" / "Theme From Good King Bad" in late June 1976 on CTI Records. releasing the extended version to the public. $124.99. Motown 25: Yesterday, Today, Forever is a 1983 television special, produced by Suzanne de Passe for Motown Records, to commemorate Motown's 25th year (Motown was founded in January 1959).The program was taped before a live studio audience at the Pasadena Civic Auditorium in Pasadena, California on March 25, 1983, and broadcast on NBC on May 16. As the 1960s creativity bloomed along, and with the development of multitrack recording facilities, special mixes of rocksteady and early reggae tunes were given as exclusives to dancehall DJs and selecters. The term "twelve-inch" usually refers to a vinyl single with one or more extended mixes or remixes of a song. The disco twelve-inch record came into being from several key developments: Notably, Tom Moulton, and Scepter Records along with its production chief Mel Cheren (later co-founder of dance label West End Records) were involved in several of these pioneering steps due to their artists and strong base uptempo song material, forward-thinking company executives and innovative remixing. $15.00. There is also a notable second-hand trade business on online sale and auction marketplaces for collectors, of which some titles are still in demand and can be of some value.[141]. For the label please use Motown or a sublabel of Motown like Tamla Motown, depending on the logo printed on the release. This was followed by disco acts such as James Wells, The Originals, Ultrafunk, Mass Production, Deodato and The Undisputed Truth, however some of these were not UK pressed vinyl but US promos sent over to the UK and distributed through club promotions businesses and record company A&R departments. Details about APOLLONIA 6 CD Vanity, PRINCE , MOTOWN Rare CD Extended versions See original listing. [132][133][134] Abbey likely had the nod from Scepter Records about the use of the twelve-inch single format, as both had released all these titles on their labels and Contempo had cross-licensed the tracks with Moulton mixes. In the 1970s, a hybrid was created, the 12‐inch single. [28][60][61] Bob Crewe, co-writer and producer, personally presented 10-inch test pressings to DJs in April 1975 after high pre-release demand. Sign up to our newsletter for 10% off your first order, Original Musiquarium I: 35th Anniversary Reissue, Motown In Mono: Exclusive Five Album & Slipmat Bundle, Christmas Card: Exclusive Opaque White Vinyl, Wonderful Christmas Time: Exclusive Translucent Red Vinyl, What’s Going On Live: Exclusive Turquoise Coloured Vinyl, Greatest Hits - Quadraphonic Mix: Exclusive Clear Vinyl, The Supremes Sing Holland - Dozier – Holland (Expanded Edition). This extra space permits a broader dynamic range or louder recording level as the grooves' excursions (i.e., the width of the groove waves and distance traveled from side to side by the turntable stylus) can be much greater in amplitude, especially in the bass frequencies important for dance music. Several Jamaican DJs such as DJ Kool Herc exported much of the hip hop dance culture from Jamaica to the Bronx in the early 1970s, including the common Jamaican practice of DJs rapping over instrumental dub remixes of hit songs (See King Stitt, U Roy, Dennis Alcapone, Dillinger), ultimately leading to the advent of rap culture in the United States. Many record labels produced mainly twelve-inch singles (in addition to albums) during the 1980s, lots being mostly regular A and B-sides, not remixes. Discover releases, reviews, credits, songs, and more about Public Enemy - Fight The Power (Extended Version) at Discogs. [32], "I'll be Holding On" would eventually be cut onto a twelve-inch acetate, as chronicled by its usage on the music compilation A Tom Moulton Mix. Atlantic Records was an early front runner with two 12-inch promo singles: Ben E. King "Supernatural Thing" backed with Osiris "Warsaw Concerto",[120][121] along with Herbie Mann "Hijack" b/w Jimmy Castor Bunch "The Bertha Butt Boogie",[122] both at 33 rpm and issued in approximately June 1975 (based on the catalogue numbers used),[123] but rumoured to be as late as October. Wax or lacquered discs, similar to the masters used to press records and sometimes referred to as acetates or reference (ref) discs, were at this time made to create one-time promotional product such as songs or jingles used by radio stations, as well as archiving. It was an unfathomable number of great songs in a brief span of time. As no 7-inch (18 cm) acetates could be found, a 10-inch (25 cm) blank was used. Test pressings being tried out at discos were reported on in Moulton's weekly column in Billboard during early April 1975. [39], A sometimes mentioned candidate among these first acetates is Moment of Truth "So Much For Love",[40][41] but this effort was commercially released a year later, the band having been signed to Salsoul Records in June 1976,[42] and the song only appearing in disco charts at the end of July of that year.[43]. An early test pressing was Bobby Moore "(Call Me Your) Anything Man", on Scepter. Most likely, the widespread use of exclusive dub acetates in Jamaica also led American DJs to do the same. Record companies also deleted many vinyl titles from production and distribution, or simply did not make 12-inch singles for many pop artists, further undermining the availability of the format and leading to the closure of pressing plants. Holland Dozier Holland shared some of their gems with Motown's Elgins, giving them this one in 1966. These were also much less likely to have picture sleeves, usually depending instead on a generic plain cover. In the case of Motown Magic, we do believe it’ll be back for a second season given its reviews and history with Josh Wakely. Twelve-inch singles typically have much shorter playing time than full-length LPs, and thus require fewer grooves per inch. Since I fell for you -Toppled Heart Mix 7:36 ** 12. The widespread popularity of Sony's Walkman was a key factor that contributed to vinyl's lessening usage in the 1980s. A wonderful collection of hits from Motown Records as you've never heard them before. The twelve-inch single vinyl gramophone record came into popularity with the advent of disco music in the 1970s after these earlier market experiments. Shakara by Fela Kuti released in 1972, while containing only two lengthy tracks (one 14-minute track per side) was released as an album by EMI. Tom Moulton began to write for the former from 26 October 1974 in the Disco Action column[44] (which changed name as time went on), while Vince Aletti wrote Disco File in the latter from November 1974. “six seconds that changed the world”) Reunions by The Miracles, The Supremes, and The Jackson 5 The first battle of the bands between The Temptations … This was closely followed with a single containing re-issues of The Who's "Substitute" with "I'm A Boy" / "Pictures of Lily" on the flip, all originally from 1966 and 1967 by Polydor Records on 22 October 1976.[135][134]. The 10-inch acetate "specials" would remain popular until at least the 2000s (decade) in Jamaica. It was manufactured by Jamie Record Co. of Philadelphia, Pennsylvania. [124] Virgin started a line of 12-inch promos in November 1975, with the first being Ruan O'Lochlainn "Another Street Gang". Notable 1970 and 1980s releases making use of the new length opportunities of the format included Donna Summer's "Love To Love You Baby" (16 min 50 seconds), "I Feel Love" (15:45), and Sugarhill Gang's "Rapper's Delight" (15:00). Berliner along with Eldridge R. Johnson merged their efforts within the industry to form the Victor Talking Machine Company in New Jersey, USA and perfected the use of 5 and 7-inch rotating shellac discs for sound replay from 1889, with 10-inch records appearing in 1901. 5 In C Minor by the Philadelphia Orchestra conducted by Leopold Stokowski. The “golden age” of Motown, from the Miracles’ “Shop Around” in 1960 to Marvin Gaye’s “What’s Going On” in 1971 was only 4,000 or so days.In those prime years, the label had over 100 Top 10 hits. One of Factory's resident artists, alternative rock/dance quartet New Order, produced the biggest-selling twelve-inch record ever in the United Kingdom, "Blue Monday", selling about 800,000 copies on the format and over a million copies in total (not counting later remixes). Take A Stroll Through Your Mind (8:33 minutes) 11. The item you've selected was not added to your cart. Vinyl as a material for records sold to the public was reintroduced after World War II but with a narrower 'microgroove', 12-inch 331⁄3 rpm LPs and 7-inch 45 rpm singles being marketed by Columbia Records and RCA Victor respectively in 1948 and 1949. Blue Limosine - Full Maxi Version 6:48 * 13. This was released by Scepter to the flip side of the Ultra High Frequency "We're on the Right Track" seven-inch single in 1973. Many of the above disco era timelines were driven by the DJ necessity to give a better nightclub dancefloor experience to patrons, and as the scene grew, it began to be chronicled in trade press publications such as Billboard and Record World. [10] Songs such as Theophilus Beckford's "Easy Snappin'" (recorded in 1956) were played as exclusives by Sir Coxson's Downbeat sound system for years before they were actually released in 1959 – only to become major local hits, also pressed in the UK by Island Records and Blue Beat Records as early as 1960. An album would consist of several of these single discs packaged together. In August 1931, RCA Victor launched the first commercially available vinyl long-playing record, marketed under their 'Program Transcription' series. Again, it was a disco mix prepared by Moulton, pressed by Rodríguez, with only a handful (around 10) cut and handed out to local DJs. Although Private Stock distributed nationally, these 10 and 12-inch pressings may have been limited to New York DJs only. Mismatch - Hand in Glove Mix 7:23 ** 11. A quick study of any DJs favorite discs will reveal mild wear in the "break points" on the discs' surfaces that can clearly be seen by the naked eye, which further eases the "cueing" task (a club DJs tone-arm cartridge will be heavily weighted and mild wear will seldom spoil the sound quality).
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