La deuxième façon d'étudier Guitare La série nécessite une chasse au trésor pour le répertoire de formes de Picasso qui apparaissent dans la plupart des œuvres. Picasso: Guitars 1912-1914 was catalyzed by the recent rediscovery of a still-life element in MoMA’s storage that once accompanied the cardboard Guitar in one of the artist’s well-documented but ephemeral Cubist assemblages. Art historian Ruth Marcus agreed with Rubin in her 1996 article on the Guitar series, which convincingly explains the transitional significance of the series. Picasso’s Guitar hangs from the wall like a painting or a real guitar, but we wouldn’t mistake it for either one. Pablo Picasso, Guitar (1913). Behavior reunited with the Museum of Modern Art to design a multiplatform companion website for the exhibition Picasso: Guitars 1912–1914. L'exposition MoMA offre une excellente occasion de recouper les références et les contextes. Just past six o’clock last night, Marie-Josee and Henry Kravis walked through a gallery at the Museum of Modern Art filled with more than 65 images of guitars by Picasso. In the early 1970s the artist gave MoMA two fragile guitars: a sculpture made in … Photography helps MoMA conservators determine how to treat Picasso's 1913 Cubist sculpture, Still-Life with Guitar. Picasso: Guitars 1912–1914 is the first time that cardboard Guitar will be publicly exhibited with this distinctive tabletop element. He sculpted an artist's view of something that was already perfectly made by us. From this carefully composed still life, first published in November 1913, Picasso had saved both the Guitar and the semi-circular “tabletop” on which it had rested. Published by The Museum of Modern Art, New York. Left: Pablo Picasso - Maquette for Guitar, 1912 / Right: Maquette for Guitar at the exhibition of Picasso sculptures in MoMA Glass of Absinthe, 1914. Pablo Picasso (Spanish, 1881-1973) Siphon, Glass, Newspaper, and Violin. A look at Picasso's Guitars, 1912-1914, an exhibition in 2011 of 85 pieces from 35 collections at the Museum of Modern Art in New York. Text by Anne Umland. Picasso Guitars at MoMA From the MoMA website: “Sometime between October and December 1912, Pablo Picasso (1881–1973) made a guitar.Cobbled together from cardboard, paper, string, and wire, materials that he cut, folded, threaded, and glued, Picasso’s silent instrument resembled no sculpture ever seen before. See Picasso’s sculptures up-close and personal in these videos At a time when Picasso exhibitions are plentiful and auction sales are lucrative, the Museum of Modern Art curates an impressive exhibition, Picasso: Guitars 1912-1914, which brings together 65 works from this short period in Picasso’s career for a … Pablo Picasso's modest yet radical cardboard and sheet metal Guitar sculptures (1912 and 1914, respectively) bracket a truly incandescent period of structural, spatial and material experimentation for the artist. For an online collection of the featured works in the MoMA’s 2011 exhibit, click this link. The piece Glass of Absinthe is distinctive by the use of an actual absinthe spoon that was used without any further alteration. Paris, December 3, 1912, or later Cut-and-pasted newspaper, hand-painted faux bois paper, and paper, and charcoal on paper 18 1/2 x 24 5/8″ (47 x 62.5 cm) Moderna Museet, Stockholm The Picasso-guitar theme has a special history at the Museum of Modern Art. Blake Gopnik, September 28, 2015 Blake Gopnik explores MoMA's new Picasso show. Via MoMA. The fall of 1912 was a watershed for the 31-year-old Picasso. Picasso created "Guitar" using cardboard, string glue, a cubist three-dimensional collage with a phenomenal use of negative space. To learn about how art changes over time, enroll in one of MoMA's courses online. With its center open to space, Picasso's Guitar was a radical breakthrough. Unlike a painting, it’s a complex three-dimensional object, and it’s clearly not a functional guitar to be played.
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